![]() Note that if you edit the envelope while the cue is playing, you won’t hear your changes until you stop and restart the cue. When the fade envelope is enabled, you can click and drag along the waveform to add fade points. You can click the fader button to the right of the waveform to toggle the integrated fade envelope, which allows you to create a envelope that adjusts the overall volume over the course of the cue. Open your audio file in your two-track editor and import the text file you created from ProTools.In ProTools, choose Export… from the File menu and export your session info as text.Fortunately, there is a workaround as long as you have a two-track editor that allows importing markers (such as TwistedWave): ProTools users will find that markers from ProTools projects will not be included in bounced files, making QLab’s automatic importing of makers somewhat less valuable. To delete a selected slice, select it and hit delete on the keyboard, or drag its slice handle upwards out of the waveform view. To loop a slice infinitely, type 0, inf, or in fact any text that is not a whole number. The play count will default to 1, but you can easily edit the count of an individual slice by double-clicking the number at the bottom of the slice and entering a value. Slices each have their own play count, which is displayed in the bottom center of the slice. 1 seconds will be discarded by QLab, though the markers in your file will remain untouched. ![]() If you bring in an AIFF or WAV file with preexisting markers, those markers will automatically appear as slices. You can also click and drag within the waveform to highlight and select a section of the track, which will cause the Add Slice button to place slice markers on both sides of the selection. Note that slices cannot be closer together than. Click the handle at the top of the slice marker and slide it back and forth along the waveform to adjust its position, or click on the handle and then enter a value manually in the text field that appears on the left. A marker similar to the start and end handles will then appear delineating the slice these markers are green as opposed to grey. To create a slice, click in the waveform view and then click the Add Slice button to the left of the waveform. To loop specific sections of an audio cue, instead of the whole thing, you will need to divide the track into slices. Scroll up and down on the waveform view to zoom in and out, or use zoom buttons on the bottom-right side of the tab. The blue waveform on the right side of the Time & Loops tab is a visual representation of the audio cue. Alternately, select Infinite loop below the play count field to repeat the cue indefinitely. Play count defaults to 1, but can be changed to any whole number (X) to repeat the cue X number of times. Set the start and end times either by typing values into their respective text fields, or by dragging the time handles (downward-pointing grey triangles) within the waveform viewer. Please refer to the section on the inspector in the Getting Started section of this documentation. ![]() When a Audio cue is selected, five tabs will appear in the Inspector: Not only does it sound less than ideal, but it also has inherent timing problems that can interfere with critical timing in unpredictable ways.) MP3 (this is QLab’s least favorite format.QLab can play sounds in most formats, including: Audio cues require a target, which must be a file containing sound.
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